Little Shop of Horrors movie review (1986) | Roger Ebert (2024)

At a time when so many movies show such cold-blooded calculation, here's one heedless enough to be fun. "Little Shop of Horrors" arrives with enough baggage to make it into a thoroughly timid project - what is less likely to make a fresh movie than a long-running stage hit? - and yet the movie has the offhand charm of something that was concocted over the weekend.

This is not only a musical and a comedy, as we expected, but also a revue of sorts: Comic actors such as Bill Murray, John Candy and James Belushi have walk-ons, and Steve Martin almost steals the show as a sad*stic, motorcycle-riding dentist. Yet at the heart of the movie is a basic sweetness, an innocence that extends even to the centerpiece of the story, which is a man-eating plant named Audrey II.

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The plant makes its appearance one day in a flower shop window, having arrived from another planet. It immediately begins to grow, to look around itself, to attract attention and to exhibit an appetite for human blood. It also changes the lives of the three people who work in the store: the shop assistant, Seymour (Rick Moranis); the salesclerk, Audrey (Ellen Greene), and their kindly, blustering old boss, Mr.

Mushnik (Vincent Gardenia). Suddenly, they have the sort of fame thrust on them that is usually reserved for lottery winners and people who survive freak accidents.

There are all sorts of people with ideas about how to exploit the wonderful plant, and others who wish it no good. The movie uses them as the occasion for gentle satire and broad comedy, and there's the sense that "Little Shop" is amused by just about whatever comes into its mind. There is also a romance; Seymour falls in love with Audrey (I), but must win her away from the evil dentist (Martin), who roars around on a motorcycle and gives her black eyes.

Meanwhile, Audrey (II) inexorably grows, nourishing itself with blood from a nick on Seymour's finger and developing a taste for human flesh. The progressive growth of the alien plant was, of course, one of the glories of the stage version of "Little Shop," and the movie's Audrey, designed by Lyle Conway and directed by Frank Oz, is a marvel of technique. The plant actually does seem to have a personality and is remarkably accomplished during its musical numbers.

Moranis also has developed a personality in this movie and, in a way, that's as surprising as Audrey II's achievement. After being typecast as a nerd on SCTV and in such limited and predictable films as "Strange Brew," he emerges here as a shy, likable leading man in the Woody Allen mode. The movie sometimes makes his work look easy. But he has to carry a lot of the exposition and hold most of the conversations with the plant, and without him the movie might not have been half as confident.

Greene repeats her New York and London role as the human Audrey, and by now the wide-eyed, daffy blond with the pushup bra has become second nature. Her big musical number, "Suddenly Seymour," has the bravado of a Broadway show-stopper even while undermining itself with satire.

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The show is punctuated by musical commentary delivered by a Supremes-style trio (Tichina Arnold, Tisha Campbell and Michelle Weeks), that bounces around the flower shop's inner-city neighborhood with a message of hope that seems somewhat optimistic, inspired as it is by a carnivorous plant, but fits right in with the movie's good heart.

All of the wonders of "Little Shop of Horrors" are accomplished with an offhand, casual charm. The movie doesn't labor its jokes or insist on its virtuoso special effects, but devotes its energies to seeming unforced and delightful. The big laughs, when they come, are explosive (such as the payoff of Martin's big musical number), but the quiet romantic moments are allowed to have their coy innocence.

This is the kind of movie that cults are made of, and after "Little Shop" finishes its first run, I wouldn't be at all surprised to see it develop into a successor to "The Rocky Horror Picture Show," as one of those movies that fans want to include in their lives.

Film Credits

Little Shop of Horrors movie review (1986) | Roger Ebert (2)

Little Shop of Horrors (1986)

Rated PG-13

90 minutes

Cast

Rick Moranisas Seymour Krelborn

Ellen Greeneas Audrey

Vincent Gardeniaas Mr. Mushnik

Steve Martinas Orin Scrivello

Arnold Chiffonas Crystal Tichina

Ronette Michelle Weeksas Tisha Campbell

James Belushias Patrick

John Candyas Wink Wilkenson

Bill Murrayas Denton

Directed by

  • Frank Oz

Produced by

  • David Geffen

Screenplay by

  • Howard Ashman

Photographed by

  • Robert Paynter

Music by

  • Ashman
  • Alan Menken

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Little Shop of Horrors movie review (1986) | Roger Ebert (2024)

FAQs

Little Shop of Horrors movie review (1986) | Roger Ebert? ›

Critics Reviews

Little Shop of Horrors is jivey, senseless fun. The stupidity is appealing, the way it is in great comic strips. Content collapsed. Levi Stubbs's big voice explodes from the insatiable plant, and there's a knockout turn by Steve Martin and Bill Murray as a sad*stic dentist and his masoch*stic patient.

Was Little Shop of Horrors a good movie? ›

Critics Reviews

Little Shop of Horrors is jivey, senseless fun. The stupidity is appealing, the way it is in great comic strips. Content collapsed. Levi Stubbs's big voice explodes from the insatiable plant, and there's a knockout turn by Steve Martin and Bill Murray as a sad*stic dentist and his masoch*stic patient.

Is Little Shop of Horrors worth seeing? ›

This musical, created in 1982 by Howard Ashman and Alan Menken in homage to a 1960 B-list horror film (The Little Shop of Horrors), has been consistently popular for decades – and it's clear to see why. Its overt campiness, humor, and heart make it an edgy classic that is hard to resist.

Which Little Shop of Horrors is better? ›

Ultimately, 1986's Little Shop of Horrors is likely the most popular version because of its accessibility as a film, mixed with its use of the musical's fun soundtrack. Plus, the film's cast, including Rick Morianis, Ellen Greene, Steven Martin, Jim Belushi, and Bill Murray, is full of iconic and hilarious actors.

Why do people like Little Shop of Horrors? ›

Little Shop features a perfect musical-theater score, with hits such as “Suddenly Seymour,” “Somewhere That's Green,” and, of course, the title song. The musical is written by Oscar- and Grammy–winning tunesmiths Howard Ashman and Alan Menken.

What are the trigger warnings for Little Shop of Horrors? ›

Content Warnings: Horror, dark comedy, gun violence, and interpersonal violence. What horrors would you commit in the face of promise for a better life? That's the question asked by this dark horror comedy musical directed by community theater legends Joe Garoutte and Dan Kenealy.

What is the moral of the Little Shop of Horrors? ›

Ultimately, the hero is unable to handle the evil he unleashes, and, at the end, everyone is doomed to misery and death because of the hero's folly. As the play ends, the Chorus in Little Shop of Horrors sings “Don't Feed the Plants,” and the message to the human audience is to be careful what you wish for.

Why are there two versions of Little Shop of Horrors? ›

Days after the release, producer David Geffen had the DVDs recalled and replaced with a version without the original ending. As a result, the recalled DVD has become a much sought-after collector's item. The original ending, as seen on the DVD, has also been uploaded to various torrent and video sharing sites.

Is Little Shop of Horrors appropriate for high school? ›

Rating: LITTLE SHOP OF HORRORS has been assigned a rating of PG-13 by MTI (Musical Theatre International).

Is Little Shop of Horrors really scary? ›

Though it's thoroughly entertaining, there are some scenes in Little Shop of Horrors that may not be appropriate for some viewers and could potentially be scary/creepy to viewers under the age of 13.

What is the true ending of Little Shop of Horrors? ›

Rather than the bleak ending in which loveable nerd Seymour and his beloved Audrey are eaten by the fearsome Audrey II plant, which then breeds into a super-race of giant plants that dominate the globe, the amended movie ending instead sees Seymour destroy the plant and happily marry Audrey.

How much did the original ending for Little Shop of Horrors cost? ›

The action-packed apocalyptic finale cost $5 million to create, helping make Little Shop the most expensive film produced by Warner Bros up to that point in time. However, once they conducted their first test screening of the film, Director Oz realized the ending was problematic.

How successful was Little Shop of Horrors? ›

Little Shop of Horrors (1986 film)
Little Shop of Horrors
CountryUnited States
LanguageEnglish
Budget$25 million
Box office$39 million
14 more rows

What does Little Shop of Horrors symbolize? ›

While the 1986 film shows Seymour and Audrey escaping to the dream suburban house, encapsulating ideals of the 1950s American Dream, the musical hints to a metaphorical portrayal of Seymour's greed as the plant. Seymour's greed gradually consumes himself and Audrey.

Is Little Shop of Horrors offensive? ›

The domestic violence/sadism in the relationship between Audrey and the dentist is really upsetting, and definitely would be for children as well. The movie is aggressively sexist, with racist undertones.

Is Little Shop of Horrors about capitalism? ›

Instructor Introduction. In its robust confrontation of genre tropes and character agency in "Little Shop of Horrors," Sara's essay offers not only a compelling critique of problematic narrative patterns, but also addresses how capitalistic ideals are promoted or challenged in popular culture.

Was Little Shop of Horrors successful? ›

Written for the stage of the WPA Theatre,Little Shop of Horrors became the third longest running musical in off-Broadway history, as well as the highest grossing off-Broadway production in history. The musical won the 1982-1983 New York Drama Critics Circle Award for Best Musical.

How was Little Shop of Horrors supposed to end? ›

Audrey II on top of the Statue of Liberty in the film's planned ending. Oz and Ashman wanted to retain the ending of the musical where Seymour and Audrey die and the plant succeeds and takes over the city of New York, but Geffen was against it. "He said you can't do that", Oz recounts.

References

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